Categories
Flyer Flashback News

Looking Back at the Flyer’s $50,000 Giveaway

Over the course of several months in 1999, Flyer staffers were more than simply newspaper reporters, designers, and ad salesmen. They were also philanthropists.

For the paper’s 10th anniversary, a donor known only as Mr. Anonymous gave the Flyer $50,000 to dole out to nonprofits in the form of $1,000 grants. The “Making a Difference in Millennial Memphis” contest was announced, and nonprofits were encouraged “send a proposal on the organization’s stationery.”

“The whole idea was to encourage ‘good works’ — little things that improved the quality of life here. The program was open only to nonprofit corporations within Shelby County, which were invited to submit applications for projects that needed funding. Once a week, the Flyer would announce which grant had been approved,” read Michael Finger’s first story on “Making a Difference in Millennial Memphis.”

The first $1,000 grant went to Park Friends, Inc. to help produce a self-guided trail brochure for the Overton Park’s Old Forest. The brochure “would locate about 20 stations along the dirt trails that run through the interior of the forest. These would point out record-size trees, wildflowers, plants to avoid, signs of forest animals, climate and drainage features as well as historical features within the forest. Also highlighted would be the dark side: intrusive plants that crowd out the native plants and damage done by humans, intentionally or not.”

Other grants recipients included:

* Crime Stoppers of Memphis, Inc. to purchase 100 rolls of crime-scene tape.

* Voices of the South theater troupe to create a scenic design for their production of Hans Christian Andersen’s The Wild Swans at Theatre Memphis.

* Vollintine-Evergreen Community Association Community Development Corporation to build a bridge across two creeks along the V&E Greenline.

* Memphis Symphony Orchestra to pay for materials for its ART ATTACK! campaign, which provided six free symphony programs at popular locations visited by Memphians during their day-to-day activities. (Wrote Finger: “We don’t usually think about the arts in connection with our daily lives — we think it’s a pursuit for rich people with too much time on their hands. The Memphis Symphony Orchestra wants to change that perception through a new program called ART ATTACK!”).

* The Lamplighter, Cooper-Young’s community newspaper, to expand its coverage to include more young adults and minorities and to publish a neighborhood history.

* The Overton Park Shell (now the Levitt Shell) to allow artist Dan Zarnstorff to airbrush portraits of Memphis musicians, such as Furry Lewis, Jessie Mae Hemphill, Sid Selvidge, and Lee Baker, over the shell’s five windows.

* Germantown Performing Arts Centre (GPAC) to create a public art project in which the “gardens of colorful flowers on the GPAC property will be cleverly juxtaposed with enormous paintbrushes, paint rollers, and paint cans to create the illusion that some giant hand was responsible for such beauty.”

* Elmwood Cemetery to display flags representing every United States war since the Revolutionary War for their Veterans Day observance.

* MIFA to recruit “an army of volunteers to install storm doors and windows, patch roofs, caulk holes, insulate homes, and distribute new blankets and hats to [elderly and low-income] people in qualified homes.”

Categories
We Recommend We Recommend

Danceapalooza

If dance is your thing, this is your week.

Critically appreciated and wildly popular Ballet Grand Prix is a classical dance supergroup featuring the winners of international competitions performing alongside the alumni winners of those same competitions who now appear as soloists for companies like American Ballet Theatre, Paris Opera, and Royal Ballet. The group’s performance of new and traditional work at the Germantown Performing Arts Centre on Saturday promises to be a celebration of virtuosity with all the pop appeal of Dancing with the Stars.

But maybe you’d prefer to see some homegrown dance? Or something with a little more grit and gray matter behind it? That is also possible.

Ballet Memphis’ latest installment of AbunDANCE returns to a theme the company first employed almost 10 years ago. In Where the Girls Are 2, a group of female choreographers, employing the music of classic girl groups and soulful singers, will use dance to examine how women perceive themselves and shape their world. Pieces include “I Will Follow Him: A Brief History” and a response to Kate Chopin’s novel The Awakening.

Or how about something political and modern? “I think you will like the work by Peter Carpenter,” says Project: Motion’s Jay Rapp. Carpenter, an associate professor of dance at Columbia College Chicago, does theatrical dance, and a solo he’s performing for the latest installment of Project: Motion’s Axis series is a memory of the Reagan era and America’s response to AIDS.

Ballet Grand Prix at Germantown Performing Arts Centre, Saturday, February 19th, 8 p.m. $30-$50.

Ballet Memphis’ AbunDANCE “Where the Girls Are 2” at Playhouse on the Square, February 19th-27th. $10-$72.

Project: Motion’s Axis Series at Evergreen Theatre, Friday-Sunday, February 18th-20th. $15-$20

Categories
We Recommend We Recommend

Dead Can Dance

Now that Tim Burton, the cinematic master of all things macabre, has brought Stephen Sondheim’s gore-soaked musical Sweeney Todd to the screen, perhaps he should turn his attention to classical dance. He’d be hard-pressed to find subject matter more suited to his dark, comic-book romanticism than Giselle, which the St. Petersburg Ballet Theatre is bringing to the Germantown Performing Arts Centre on Sunday, January 6th.

By the end of Act 1, the ballet’s title character, a poor seamstress cut to the quick by a wealthy, duplicitous lover, already has gone mad and committed suicide. Giselle returns as a lovesick ghost in Act 2, however, to save her bad-boy boyfriend from a bunch of female vampires who were betrayed by their lovers in life and have chosen to spend eternity in a frenzy of bloody revenge.

Violent death? Supernatural evil? Transcendent love reaching out from beyond the grave? Who could ask for anything more?

If your curiosity has been pricked by any of this, GPAC, in conjunction with the St. Petersburg Ballet Theatre, is offering a free class on the history and meaning of Giselle on Thursday, January 3rd.

“Giselle,” 3 p.m., Sunday, January 6th, at the Germantown Performing Arts Centre. $30-$50. The “Giselle” Dance Education Class is 7-9 p.m., Thursday, January 3rd, at GPAC. The class is free.