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Opinion The Last Word

Home Is Where the Ho Show Is

“Have you ever had a good birthday?” my wife asked, incredulous, after I had lovingly described one of my childhood’s better birthdays. 

“Well, sure,” I countered, “I’ve had all great birthdays since I met you. Also when I turned 7 years old and got walkie talkies. My friends and I played flashlight tag outside, so it must have been a warm December. That was definitely a good birthday.” 

My wife and I had this discussion on the way home after my most recent celebration of another spin around the sun, a quiet day spent bopping around Memphis and culminating in a leisurely stroll around a holiday art market at Minglewood Hall. We went to the market to see my sister-in-law, Kaylee Hammer (@k.hammer.art on Instagram), and critique her art display. Because we had already had a full day — and we’ve got quite a few Kaylee Hammer originals and prints on our walls — we almost decided to head home early. We caught a second wind, though, and it blew us back to Midtown and into the big building that used to house Strings and Things. 

That was when my wife and I stumbled upon the Ho Show, a special holiday-themed “early Ho Ho Ho party” at B-Side inside the Minglewood Hall plaza, in the form of a writers-in-the-round-style performance from Memphis songwriting greats Susan Marshall, Reba Russell, and Bobbie Stacks. Russell’s voice, instantly recognizable to any amateur-level appreciator of Memphis music, called to me from around the corner. I wandered toward B-Side in a trance, like a sleepwalker summoned forth. Nothing sounds quite so sweet as unexpected and familiar music.

The concert was fully audible at the art market in Minglewood’s central gallery, so I perused the locally made art while grooving to a soulful cover of The Beatles’ “Don’t Let Me Down.” 

Of course, most cities have some music on offer most nights, and in bigger or wealthier cities the variety on display can be a veritable cornucopia of concerts. There is something distinctly magical about the quality of art on display in the Bluff City, though. To stumble onto a packed concert featuring respected and veteran performers, all cracking jokes and getting loose in a decidedly unscripted performance, side-by-side with a local artists’ market on a doggone cold, drizzly Sunday night in a city as small as Memphis? That’s magical. 

The level of Memphis-cana on display was notable as well. I chatted about Memphis-made beer (including Memphis Made beer) with a local candlemaker. I saw Tigers and Grizzlies aplenty, recreated in different artists’ individual styles. References to the pyramid’s crystal skull or Three 6 Mafia illustrated the fierce hometown pride that seems to permeate the air here. 

Chatting with one of the artists, I learned about a Holiday Bazaar at the Lamplighter Lounge — yet another chance to supplement my traditional locally made and bought seasonal gifts with even quirkier options! 

The long and the short of it is that, instead of calling it a night and retiring with Netflix and some leftovers, I spent a little time in our city, and it rewarded me with music and art and conversation. Those kinds of unplanned moments can offer a little soul sustenance when the grind toward year’s end gets going in overdrive, and I know I am looking for every opportunity to feed my soul these days. 

As an adult, it’s easy to feel strapped to the wheel, careening from Thanksgiving to Christmas to New Year’s Day at a breakneck pace. If there are children in our lives, it can be tempting to focus on the added responsibilities of ensuring their happiness. Holiday and end-of-year parties offer a welcome chance to unwind, but so too do they clutter up the already overfilled calendar with more appointments. Year-end goals loom, and next year’s resolutions await. 

In my limited experience, this season brings stress in exponential levels — and so much of that self-same stress is absolutely unnecessary and utterly unproductive. Kids seem to be as enchanted with the season itself as with the specific presents. It’s fun to have time off school, make a tremendous mess with wrapping paper, and have the go-ahead from parents and grandparents to watch cartoons and eat cookies all day. Parties and reunions should be a chance to catch up and reconnect, not a reason to worry about the menu or the wardrobe or an appropriate gift to bring. And anyone who always meets their annual goals and perfectly sticks to their resolutions is trying too hard; cut yourself some slack. 

More often than not, magic falters when forced. It’s by keeping our eyes open to whatever magic comes our way that we create a memorable experience. True, that requires trust and letting go of control, but it’s worth it. The cultural undercurrents here are as wild and weird and strong as the Mississippi. Go with the flow, and Memphis will reward you. 

Jesse Davis is a former Flyer staffer; he writes a monthly Books feature for Memphis Magazine. His opinions, such as they are, are setting up firm boundaries about talking politics with family.

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News

901 Wrestling Has New Home

The 901 Wrestling promotion has a new home: Minglewood Hall at 1955 Madison Avenue.

“We’re going to be moving to Sundays monthly at Minglewood starting September 22nd,” says Kevin Cerrito, 901 Wrestling host. Anthony Sain is his commentary partner. Both will be back at the helm at the new location.

And the shows, which will be held in Minglewood’s main room, will be from 5 to 7 p.m. instead of at a later time as in the past, Cerrito says.

One free entry for kids will be available with each purchase of a general admission ticket to the matches.

Tickets will go on sale at 9:01 a.m on 901 day, September 1st, at 901wrestling.com.

Fans can catch up on full shows, including the matches and interviews, by going to youtube.com/901wrestling.

Dorian Vain at 901 Wrestling’s “Wild Card Rumble” at Black Lodge (Credit: MIchael Donahue)

According to info from Cerrito, “Promoter Tommy Jax took over a Holly Springs, Mississippi-based wrestling promotion in 2017 with a group of underutilized talent that was mostly based out of Memphis. In 2018, the promotion moved their shows to Rec Room on Broad Avenue in Memphis and it was rebranded to 901 Wrestling in 2019. Covid ended the Rec Room era, and when 901 Wrestling returned in 2021 its new home was Black Lodge until they closed in August 2024.”

According to Jax, “With 901 Wrestling moving to Minglewood Hall, we all have the opportunity to present the biggest local wrestling shows this city has seen in over a decade. This brings us closer to reaching our goal of bringing wrestling back as a mainstay in Memphis once again. 901 Wrestling is not just putting on wrestling shows. We’re trying to make sure we keep something here that is inherently in our city’s DNA. Like barbecue, basketball, and music, wrestling is part of who we are as Memphians.”

And, as Cerrito says, “It’s going to be a new era. We’re really looking forward to it.”

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Intermission Impossible Theater We Recommend We Recommend

Ms. Pat to Bring “Ya Girl Done Made It” Comedy Tour to Memphis

Memphis comedy enthusiasts are in for a treat as the renowned comedian Ms. Pat gears up to hit the stage at Minglewood Hall on March 15th as part of her “Ya Girl Done Made It” comedy tour. 

“I honestly didn’t know if I had a big enough audience in Memphis, but people kept asking me to come,” said Ms. Pat. “So I told my agent to book the show and I cannot wait to get there and make my fans happy.” 

Ms. Pat, who was raised on the streets of Atlanta, gained recognition in the comedy community for her unreserved and brutally honest humor. She addresses subjects like family dynamics and societal issues by drawing on her personal experiences, all the while delivering punchlines with perfect timing and wit.

It all started with her standup career where she started discussing her life drawing connections from being a convicted felon and the rough streets of Atlanta into connecting with her audience. There was one joke in particular that led to her tw0-time Emmy-nominated BET sitcom, The Ms. Pat Show. 

“The more I did interviews, the more I started to paint a picture, and that is when I started to get calls from Hollywood,” says Ms. Pat. 

Now that the Ms. Pat Show is on season three, Ms. Pat has been making strides to connect with her audience on different levels. Her standup special Y’all Want to Hear Something Crazy is currently streaming on Netflix. 

“I always say I am like a buffet,” says Ms. Pat. “I try to create stuff to where if you don’t like this then maybe you will like this.” 

Her weekly court style show, Ms. Pat Settles It, recently premiered on BET. The show resembles the Judge Judy show. The comedian and her jury of comedy friends resolve conflicts that arise on a daily basis. 

“I am just so thankful and grateful to be in this position,” said Ms. Pat. “Not only am I doing what I want to do, but I am also helping young and up-and-coming comedians with this tour.” 
Tickets for the Minglewood show can be found on Ticketmaster and Ms. Pat’s official website.

Check out her 11/6/23 appearance on Late Night with Seth Meyers here:

Categories
Music Music Blog

Mash-O-Matic Lives!

Craig Shindler was a musician’s musician, a bassist, singer, and guitarist who walked the fine line between the accessible and the unconventional, the funky and the edgy. After some years playing bass, singing, and writing songs in the collaborative art-rock power trio K9 Arts (alongside Rich Trosper and Jim Duckworth), he went on to front his own groups to great acclaim. When he died of heart failure in New York in 2000, at the age of 34, all of musical Memphis was shaken by his loss.

This Saturday, October 14th, will witness a celebration of his talents by some fellow players from his band Mash-O-Matic, who will open for Big Ass Truck at Minglewood Hall, beginning at 8 p.m.

Due to Shindler’s untimely death, the popular Memphis rock trio came to an abrupt end just as they were hitting their stride. While there have been occasional concerts in tribute to Shindler in the years since, this will be a focused set by a single band, featuring Mash-O-Matic’s original members Clint Wagner on guitar/vocals (The Scam, Banyan, Devil Train) and Jay Sheffield on drums/vocals (The Scam, Mudflaps, Clanky’s Nub, Noisy Cats Are We), playing Shindler’s distinctive songs.

It’s telling that three people will be required to fill the void left by Shindler’s passing, as the onetime trio expands to include Chris Scott (Son of Slam, Mudflaps) on lead vocals, Jay Fite (The Scam, Noisy Cats Are We) on guitar, and John C. Stubblefield (Lucero) on bass.

Together, they will rekindle Shindler’s wide-ranging vision. That promises to bring some closure to musicians and fans who were caught off guard by his loss. Sheffield told The Commercial Appeal reporter Bill Ellis at the time of Shindler’s death, “I thought he was playing better than ever,” noting that his bass playing “was very percussive [yet] melodic … schooled but also front porch.” Suddenly, that was gone.

Shindler’s musicianship made an impression far beyond Memphis. Ellis reported that shortly after Shindler’s death, Mike Watt, bassist for the Minutemen and fIREHOSE, recalled meeting him after a K9 Arts show: “I dug him much. He was a sweet man and I was proud to be a fellow bassist along with him. I value the fact we shared that machine … He even let me use his for a bit.”

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We Recommend We Recommend

Lucero Streams Live from Minglewood

While the city was on lockdown, local Americana band Lucero finished recording a new album at Sam Phillips Recording Studio.

“We all wore masks, everybody stayed out of the way and everything,” says Brian Venable, the band’s guitarist. “But it was interesting. First or second night in, not only was there COVID, but the protests started happening and you couldn’t go out after 10. There was a whole lot of stuff going on in the world.”

Fans might be able to hear a couple of songs from the new album this Saturday during Lucero’s first live-streamed concert (recorded from Minglewood Hall) since they last toured together in February. Venable says the band agreed that they preferred this method of streaming over other methods they’ve seen musical artists use.

Dan Ball

Lucero

“Jason Isbell supposedly did that thing where everybody Zooms from their different houses and plays music together,” he says. “That sounds logistically like a nightmare. I go online mostly every night for an hour on Instagram and read. I’ve read four books aloud. There’s a Brian Venable Book Club now. I was like, man, I’m so tired of white, bearded, tattooed guys singing about girls on the internet.”

Venable adds, “There’s something about playing in your living room, but there’s also something about pay-per-view events where there’s lights and good sound and there’s a possibility of hearing new songs or making requests.”

Venable says, if everything goes according to plan, Lucero will play their annual Family Block Party in September. Until then, however, Venable says he hopes that this live stream will provide an authentic “MTV-like” experience for viewers.

“Tune in. Have fun. We’re Lucero,” he says. “Somebody is gonna be drunk, somebody’s gonna mess up, someone’s gonna have fun. Those three things are guaranteed.”

lucero.veeps.com, Saturday, July 11th, 9 p.m.-midnight; $10 for general admission; $50 for VIP, which includes T-shirt and signed screenprint poster.

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We Recommend We Recommend

The Comedians Following Tool On Tour at 1884 Lounge

Last year, after a 13-year hiatus, rock band Tool released a new album, Fear Inoculum, and now they’re bringing the new tunes to the road with a U.S. tour. Three funnymen, Nick Youssef, Rory Scovel, and Freddy Scott, are big fans, so they’ve decided to follow the band while making a comedy tour out of it.

“[The idea] came up at a dinner in Los Angeles, when we all decided to go watch the [Tool] show at Staples Center,” says Youssef. “And almost in passing, I think as just this joke, I was like, ‘Yeah, if they do more dates in 2020, we should start a little tour and go follow them around.'”

Comedians Following Tool on Tour

Two weeks later, Tool released tour dates for January, and Youssef and the others decided to go for it.

“Everyone who knows us knows we love Tool,” he says. “And this is one of those moments where the stars sort of aligned in the sense that they haven’t had a new album out in a while. We thought we might not have this opportunity for a while, so we jumped on it.”

The three have since followed the band to places like San Diego and Austin, where they had the opportunity to meet Adam Jones, Tool’s guitarist.

“He came to the show in Austin and watched all of us and had a great time,” Youssef says. “He said a lot of very nice things, and we were all beyond thrilled. We all felt like teenagers again. … They have been so supportive. They put out a tweet and an Instagram [post] telling people about our tour, and we were absolutely floored by that because they don’t tweet much about other comedy or music acts.”

The Comedians Following Tool On Tour: The Tour, 1884 Lounge at Minglewood Hall, Thursday, January 30th, 7-11 p.m., $26-$31.

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We Recommend We Recommend

Lucero Family Christmas Rocks Minglewood this Friday

Memphis-based Americana band Lucero hosts its annual Family Christmas show at Minglewood this Friday.

With two decades of hits like “Nights Like These” and “For the Lonely Ones” under their belts, the band has developed a strong fan base in Memphis and around the country — so much so that they’ve spent as many as 250 days a year touring, playing venues like Red Rocks in Denver. But the band continues to stay true to their local fanbase and their hometown with annual Family Christmas and Block Party events, like the 2018 Block Party, where Mayor Jim Strickland declared that day “Lucero Day.”

Dan Ball

Lucero

“We’ve got a piece of paper to prove it and everything,” says guitarist Brian Venable. “It was pretty awesome.”

Two years later, Venable says he still can’t believe the band has been together for more than two decades.

“When we first got together, we were just punk rock kids, and we started this kind of weird band,” he says. “And then we started touring, and people came to see us. Then we started touring for a living. So the fact that we actually made it to 20 years or more is still kind of outlandish. We’ve seen a lot of history.”

Now, they celebrate Christmas with their annual Family Christmas, which comes with the tradition of supporting and featuring a fellow local artist.

“Hash Redactor, a local band from Goner Records, is opening,” says Venable. “So that’s pretty exciting for me. I like getting to play with local bands. At this point, it’s just tradition. It’s a nice tradition.”

Lucero Family Christmas, Minglewood Hall, Friday, December 13th, 7-11:30 p.m., $21.

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Music Music Blog

Super Low Releases Self-Titled Debut at B-Side

Tiger Adams (left) and John Lewandowski of Super Low

Bluff City fans of melodic pop songs with jangly guitars, ear-worm hooks, and layers of piano, strings, and piano have new reason to rejoice: Memphis-based Super Low will release their self-titled debut album at B-Side inside Minglewood Hall on Friday, July 12th.

Formerly China Gate, Super Low has undergone a name change and some lineup shifts, but the core of the band remains. Singer/guitarist Tiger Adams leads the band, with support from drummer John Lewandowski, bassist Conner Booth, and a rotating cast of additional musicians. It should be noted, also, that Adams’ Super Low is not to be confused with fellow Bluff City band, Super-Lo, which includes members of the now-legendary Memphis punk outfit The Klitz.

In advance of the upcoming album release show, Super Low has debuted two singles from the upcoming album, “Unlimited Data” and “Runners Up.” The singles are sunny and warm, with bright guitars and impeccable arrangements highlighting the band’s penchant for instrumental hooks — like the catchy organ fill in “Runners Up.”

“Unlimited Data” is manna from heaven for listeners who appreciate layers upon layers of clean electric and acoustic guitars. Think Scottish indie rockers Camera Obscura, but with a Southern man in glasses and baseball cap behind the microphone instead of Camera Obscura’s Tracyanne Campbell. Another comparison that comes to mind is French garage-pop wunderkind En Attendant Ana, the undisputed break-out stars of Gonerfest 15. As with En Attendant Ana and Camera Obscura, on Super Low, the rhythms are up-tempo, the melodies are memorable, and the layers of guitar are seemingly unending. Put simply, this is pop done right.

The upcoming concert at B-Side will kick off a tour with stops in Nashville, Baltimore, Atlanta, and New York.


Super Low perform at B-Side, Friday, July 12th, 9 p.m.


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Music Music Features

Low Cut Connie Brings Raucous Rock to Minglewood

Pounding and standing on the piano he calls “Shondra,” Adam Weiner cranks out some serious rock-and-roll with his band Low Cut Connie. A Jerry Lee Lewis-meets-Little Richard-on-Broadway showman, Weiner comes by his brand of distinctly American music naturally.

“When I was 13, I bought a Lead Belly album,” Weiner says. “My music listening has been chronological, almost. I got into country blues, then blues, then Elvis, Jerry Lee, and the Sun stuff, Little Richard, and the New Orleans piano guys, and then Ray Charles. I grew up in New Jersey, so Springsteen in the 1980s is a big touchstone. Then Bob Dylan. What’s the bottom line in all this? American rock-and-roll.”

courtesy Missing Piece

Adam Weiner of Low Cut Connie

So what exactly is American rock-and-roll? “Boogie, soulful,” Weiner says. “It should touch your heart, making you want to dance. And it’s about freedom. Free your body, free your mind. What was Prince’s music about? Freedom of spirit, freedom of sexuality. More than being cool, it’s about letting go, being free.”

In other words, something like what’s captured on Dirty Pictures (Part 2), a joyous 10-song ramble Low Cut Connie recorded along with its predecessor — Dirty Pictures (Part 1) — at Memphis’ legendary Ardent Studio.

Adam Hill, who worked at Ardent at the time, recalls, “Adam Weiner worked for Beale Street Caravan years ago, when he was going to U of M. Early on, they played a show at The Buccaneer that was recorded by Beale Street Caravan, and they liked my mix, which led to us making Dirty Pictures (Part 1) and (Part 2). I’ve been engineering for them the past year, working on their next batch of songs in various locations. The band is tight and loose, in all the best ways. We’ve been cutting basic tracks live with everyone in the same room.”

Dirty Pictures (Part 2) starts with the taut, driving “All These Kids Are Way Too High,” which finds Weiner looking out at zombies standing at a show rather than dancing up a storm to the rollicking piano and the big beat. It’s his job, Weiner says, to get the walking dead to put away their phones and get moving. And that’s a different challenge every night.

“Every city has a different culture,” he says. “Every country has a different culture. Daytime versus nighttime, outdoor versus indoor. Do they know our songs, or do they have no idea who we are? Every show should be different. You try and make people free, to put them in the moment. I’ve got to be aware of what’s going on in the moment … what’s going on outside the walls of the club. I’ve got to bring all of that into the moment.

“At the end of the day, I try to give people what they really want,” Weiner says. “They’re in a communal situation, they’re part of the moment. They feel their feeling and release that feeling. It’s not a total escapism, but a tension and release.”

This winter and spring, Weiner will be getting the crowds going with a run of headlining dates in the U.S. that extends into May, before heading to the United Kingdom and Europe. It’s the latest series of shows in what has become a never-ending tour for Low Cut Connie. It’s the kind of work that needs to be done by a band that, little by little, is breaking out.

Formed seven years ago, and named after a waitress who wore low-cut tops, the band released its first recordings as Get Out the Lotion, and followed that album with 2012’s Get Me Sylvia and 2015’s Hi Honey — all critically acclaimed.

The band got its biggest shot of attention in 2015, when President Barack Obama put “Boozophilia” — a 2012 song Rolling Stone described as “like Jerry Lee Lewis if he’d had his first religious experience at a Replacements show” — on his Spotify summer list.

That got Weiner a White House visit. Earlier this year, he had another summit meeting, talking with Springsteen after attending one of his Broadway performances. The Boss, it turns out, is a Low Cut Connie fan — which thrills the New Jersey-born Weiner.

The attention, the recordings, and Low Cut Connie’s never-less-than-great live shows are now paying off, bringing the band an ever-larger audience. “The word is spreading,” Weiner says. “The tent is expanding. We’re a cult band and people are finding us, coming to see us.”

Low Cut Connie plays the 1884 Lounge at Minglewood with the Klitz and Louise Page on Saturday, March 9th, at 9 p.m.

Categories
Food & Wine Food & Drink

A Visit to the B-Side Memphis.

The winds of change have blown through the Memphis bar and restaurant scene over the past couple of years. Some old favorites have closed or, more appropriately in the case of the Buccaneer, been burned and razed. From the ashes rises B-Side Memphis, opening in the seemingly unlikely location of Minglewood Hall. Minglewood has been home to a random hodge-podge of businesses over the years, but not many of them have been a beacon shining bright to the crowd that now finds its way to B-Side. It hasn’t been for lack of trying on Minglewood’s behalf: We are just naturally skeptical of ample parking and clean toilets. These amenities are outside of our comprehension when coupled with our treasured local acts.

“We’re doing music every night,” general manager Brad Boswell says. “The focus is on Memphis music.” In a market that hasn’t always been kind to out-of-town bands, this makes sense. Boswell books B-Side himself and stacks each bill with those treasured local acts. He explains that B-Side isn’t just a restaurant or a bar, but a place to go check out music. The focus on Memphis doesn’t end with the tunes, either. The bar serves Pancho’s cheese dip, hummus, and feta dip from nearby Casablanca, kolaches from Howard’s Donuts, and meat pies made by local musician, tattoo artist, and apparent meat pie connoisseur Mark Svetz. Boswell and his brother, Ben, have a full menu planned for the spring, but honestly, can it get any better? There is no stopping you, dear patron, from dipping your locally sourced meat pie in the Pancho’s.

Photographs by Justin Fox Burks

Brad Boswell at B-Side

As if B-Side’s focus on Memphis music and beloved local dips wasn’t enough, Boswell also corralled some familiar talent. His staff is full of former employees of both Old Zinnie’s and the Buccaneer, so pounding beers at B-Side will feel, for many of us, just like home. B-Side has a happy hour starting when they open at 3 p.m. each day and running through 8 p.m. It features $1 off of everything, excluding the already-affordable High Life pony bottles. On Saturdays and Sundays, they open at 6 p.m. Each night of the week, they’re open until 3 a.m., allowing for maximum hell-raising and music-listening. B-Side itself isn’t the cramped, grubby bar that we’ve all embraced in the past. Its ceilings are high, its bar long, its floors hardwood. It’s a space that finally affords us the square footage to rock without fear of the walls caving in or the floor giving way.

Boswell wasn’t kidding about the whole “it’s a place to see music” thing. While there are plenty of tables and booths, there is way more emphasis on space to stand, inviting us to actually pay attention to what’s on the stage. On the night that I went, the crowd stood quietly, enraptured by the peaceful sitar-playing of Naan Violence, the first of a four-band, all-Memphis bill. Each Monday, Devil Train takes the stage, yet another tradition borrowed from bars long gone. And yeah, it’s an actual stage! A dedicated space that doesn’t require moving tables or stacking chairs!

Is this where we are now, Memphis? Have we finally traded in and traded up? Have we finally gotten what we’ve long deserved? This is a bar that has finally answered to all of us who have grown up. We’ve long stood in puddles of bodily fluids in the dive bars of Memphis, smoked in spaces without fans or ventilation, suffered a from-behind soaking from a domestic beer. We’ve gabbed loudly through sets, stumbled into restrooms with no toilet paper, and hugged walls stained with years of sweat and smoke. B-Side has taken all of us in, shown us the light, and graced us with its actual adult bar presence. We loved our falling-apart-at-the-seams dives, and we still love the ones that remain. B-Side Memphis, however, is the beautiful new bar that has all the feel (and all of the people) of the good old days with less of the trash and germs. We’ve arrived, guys, and there are plenty of meat pies and parking spaces here.